Tension problemArenda's main criticism of my Lesson One swatches (and she was incredibly gentle and kind about it) was that my tension was not consistent on the ends of rows, particularly the beginning of purl rows. I've wanted to fix that, and yet I haven't been doing it. This morning I realized that I should knit swatches in bed at night. That's how I got into knitting in the first place: nightly knitting to fight anxiety and insomnia! So that's what I'll do. Bonus: I will fall asleep more easily!
The Problem of the Long-Ignored Project
|Kalahari Tote in progress|
This piece is knit using mitered squares, with many stripe-based color changes that render a sort of mixed chevron pattern. Because some of the colors are dark and the yarn is fingering weight, I find it hard to read the work. So there is a lot of counting, which I always avoid if I possibly can.
Here's the problem: there's no easy way of using a stitch marker to mark the center stitches in mitered squares, because the marker travels one stitch to the left (from the RS perspective) on each repeat.
Making these squares is simple. You start with an odd number of stitches on your needles. On the right side, you slip the first stitch to make a nice selvedge and knit to the middle three stitches. With those three stitches, you do a Sl-K2tog-PSSO double decrease. You knit to the last stitch and purl. Turn. On the wrong side, slip the first stitch, knit to the last stitch, purl. Turn. Repeat. So on every RS, you are decreasing by two. You always have an odd number of stitches.
I did some experimental squares with scrap yarn, to figure out how I could use a stitch marker to mark the center three stitches.
My first square was pretty frustrating; I ended up having to count anyway. The marker started right before the center three stitches. On the next repeat, the marker was between the slipped stitch and the K2tog stitches. On the repeat after that, the marker was -- most annoyingly -- between the K2tog stitches. At that point it was obvious that this process was no easier.
I realized that if I placed the marker before the slipped stitch, and then on every WS row I corrected its position, the process was easy and meditative. Here's a video showing what I did for the second square:
I tried this trick both with a piece of yarn and a clippy marker. The clippy marker was better. The yarn marker, while slightly easier to grab and hold, tended to get worked into the garter stitch and had to be coaxed out. You could use a smooth ring marker, but it might be hard to grab and hold on the WS.
It's a good day when you solve two knitting problems and a life problem!
Knitting news and progressIn Basics, I've just finished Lesson 2 Swatch 5. I'll block swatches 1-5 and answer the questions before I move on to the last three swatches. My goal is to start the Masters in September. I still have a bit of finishing work to do on my brother and sister-in-law's Christmas present. My new rule is never to do a present using acrylic yarn ever again. It's so hard to make the finishing work look nice! I'm also working on a chemo cap for a friend who is fighting cancer. It's of Paton's Silk Bamboo, which should be smooth and soft and absorbent for her. Still trying to finish the Kalahari Tote -- someday. Someday.
A friend started a monthly knitting group. At the first meeting, I got to teach someone to knit! I really love that!
My most exciting knitting and project news is that I will be knitting a project from Viking Patterns for Knitting by Elsebeth Lavold (newly published in paperback) and reviewing the book for a local weekly newspaper! I'm so excited!